Here are notes on our discussion which continued over two sessions. Each member brought "A work of art" which they considered to be 'Good Art' (We're a very well heeled
group!).
Click on the underlined items for more information!
"Nighthawks" a painting by Edward Hopper.
"Edward Hopper, the best-known American realist of the inter-war period, once said: 'The man's the work. Something doesn't come out of nothing.' This offers a clue to interpreting the work of an artist who was not only intensely private, but who madesolitude and introspection important themes in his painting."
"The Kiss" by Rodin
"The Rime of the Ancient Mariner" by Hunt Emerson and Samuel Taylor Coleridge
"A Hymne to God the Father" by John Donne
"Christ of St John of the Cross" by Salvador Dali
Geoff brought one of his pots!
The poem "The Sensitive Plant" by Percy Shelley
"The Water Lilies" by Claude Monet
"the Venus de Milo" from the Louvre, Paris
Several of Degas' Dancers
More pictures of Degas here, and about Edgar Degas here!
A plate . . .
Denis referred to four old Dockers from previous times who attended the Tall Ships race at Liverpool Albert Docks. The closest I can get to this is a video on this event but not the Dockers.
Greetings
10 years ago
1 comment:
In my opinion this was a very good session. It was interesting because everyone was involved in telling a story about how they experienced art. Some works of art were described in terms of the emotional effect on the observer but we also explored why our emotions were influenced.
The plate had a predicatable geometrical element but this was combined with a randomness in the thickness of the lines.
Some observers made spiritual connections with their art whereas others experienced an empathy with the characters observed or enjoyed the richness of the colours or the strength of the form.
A variety of experiences explained well.
Chris
Post a Comment